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Definitions for carl maria von weber
carl maria von we·ber
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Princeton's WordNet
Weber, Carl Maria von Weber, Baron Karl Maria Friedrich Ernst von Webernoun
German conductor and composer of romantic operas (1786-1826)
Wikipedia
Carl Maria von Weber
Carl Maria Friedrich Ernst von Weber (18 or 19 November 1786 – 5 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, he was a crucial figure in the development of German Romantische Oper (German Romantic opera).Throughout his youth, his father, Franz Anton, relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers – his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher and Georg Joseph Vogler – under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies; a viola concerto; bassoon concerti; piano pieces such as Konzertstück in F minor and Invitation to the Dance; and many pieces that featured the clarinet, usually written for the virtuoso clarinetist Heinrich Baermann. His mature operas—Silvana (1810), Abu Hassan (1811), Der Freischütz (1821), Die drei Pintos (comp. 1820–21), Euryanthe (1823), Oberon (1826)—had a major impact on subsequent German composers including Marschner, Meyerbeer, and Wagner; his compositions for piano influenced those of Chopin and Liszt. His best known work, Der Freischütz, remains among the most significant German operas.
ChatGPT
carl maria von weber
Carl Maria von Weber was a prominent German composer, pianist, and conductor during the Romantic era. Born on November 18, 1786 and died on June 5, 1826. He is notably recognized for his opera, 'Der Freischütz' which massively contributed to the development of the Romantic opera in Germany. Weber also stood as an influential figure in the realm of romantic instrumental music; his compositions for wind instruments maintain a prominent place in the concert repertoire. Additionally, he wrote music criticism and was instrumental in developing the musical direction of German Romanticism. Weber's contribution to music has widely influenced many composers and his work continues to be performed worldwide.
Wikidata
Carl Maria von Weber
Carl Maria Friedrich Ernst von Weber was a German composer, conductor, pianist, guitarist and critic, one of the first significant composers of the Romantic school. Weber's operas Der Freischütz, Euryanthe and Oberon greatly influenced the development of the Romantic opera in Germany. Der Freischütz came to be regarded as the first German "nationalist" opera, Euryanthe developed the Leitmotif technique to a hitherto-unprecedented degree, while Oberon may have influenced Mendelssohn's music for A Midsummer Night's Dream and, at the same time, revealed Weber's lifelong interest in the music of non-Western cultures. This interest was first manifested in Weber's incidental music for Schiller's translation of Gozzi's Turandot, for which he used a Chinese melody, making him the first Western composer to use an Asian tune that was not of the pseudo-Turkish kind popularized by Mozart and others. A brilliant pianist himself, Weber composed four sonatas, two concertos and the Konzertstück in F minor, which influenced composers such as Chopin, Liszt and Mendelssohn. The Konzertstück provided a new model for the one-movement concerto in several contrasting sections, and was acknowledged by Stravinsky as the model for his Capriccio for Piano and Orchestra. Weber's shorter piano pieces, such as the Invitation to the Dance, were later orchestrated by Berlioz, while his Polacca Brillante was later set for piano and orchestra by Liszt.
Numerology
Chaldean Numerology
The numerical value of carl maria von weber in Chaldean Numerology is: 2
Pythagorean Numerology
The numerical value of carl maria von weber in Pythagorean Numerology is: 9
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